Post by account_disabled on Dec 9, 2023 5:22:12 GMT
The Manifesto of editorial innovation Writing is communication. Writing is not a clever marketing mechanism nor an agora of gods, but an art that is a human heritage. Between writer and reader there is conversation through writing. This conversation happens without cultural and social barriers. Writing is an open system. It is natural, human, because it was created by human beings. The reader reads listening to the direct voice of someone like him. This is what the writer must aim for. The Internet allows for conversation between writers and readers, which was nearly impossible before the digital age.
The Internet is one of the bridges between the writer and his audience and between readers and the writer. A writer's site inhibits detachment and unattainability. Smooth out previous layers by changing Phone Number Data your point of view to an earthly perspective. In today's writing the writer must speak to the reader in an innovative way. Closer, because he himself, a writer, is a reader and a man. Writing is the diffusion of knowledge and culture. The writer must promote this exchange by speaking to the reader in his voice. The result is a more aware reader, because he participates in the writer's intimacy, laid bare with his works. Readers, thanks to the internet, are no longer isolated nuclei, but part of a consolidated group of pure critics. They judge the written work with the simplicity of their condition: that of the writer's first clients. There is transparency.
Readers now know the book product and judge its quality. Whether a literary work is good or not, they still spread their opinion online. There are two realities: the customer-reader and the company-publisher. The former is hungry for culture, the latter sells it. These two realities must work together to improve culture. The publishing company must differentiate itself, evolve and innovate. It must speak to readers-customers with a voice full of emotions, credibility, trust, absolutely natural. The language of the publishing company can no longer sound artificial, conformed to obsolete standards of which there are now infinite copies. If the publishing company still intends to speak that language, it will only speak to itself.
The Internet is one of the bridges between the writer and his audience and between readers and the writer. A writer's site inhibits detachment and unattainability. Smooth out previous layers by changing Phone Number Data your point of view to an earthly perspective. In today's writing the writer must speak to the reader in an innovative way. Closer, because he himself, a writer, is a reader and a man. Writing is the diffusion of knowledge and culture. The writer must promote this exchange by speaking to the reader in his voice. The result is a more aware reader, because he participates in the writer's intimacy, laid bare with his works. Readers, thanks to the internet, are no longer isolated nuclei, but part of a consolidated group of pure critics. They judge the written work with the simplicity of their condition: that of the writer's first clients. There is transparency.
Readers now know the book product and judge its quality. Whether a literary work is good or not, they still spread their opinion online. There are two realities: the customer-reader and the company-publisher. The former is hungry for culture, the latter sells it. These two realities must work together to improve culture. The publishing company must differentiate itself, evolve and innovate. It must speak to readers-customers with a voice full of emotions, credibility, trust, absolutely natural. The language of the publishing company can no longer sound artificial, conformed to obsolete standards of which there are now infinite copies. If the publishing company still intends to speak that language, it will only speak to itself.